Mills Gallery Past Exhibitions
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Dust you are, to dust you shall return. (Genesis 3:19)

Boston Center for the Arts presents artist Jordan Eagles in his debut solo Boston exhibition, Jordan Eagles: Blood Dust. Eagles presents a group of unsettling as well as sublimely beautiful hybrid sculptures and paintings, utilizing blood from slaughtered cattle as a medium to explore profound perceptions of life, death and resurrection. Curated by art historian Francine Miller, this exhibition comprises fourteen wall pieces and free-standing sculptures from 2011 to the present, featuring fresh, aged and dried blood (“Blood Dust”). In these works, poured, sprinkled and soaked blood is meticulously encased and preserved in layers of clear UV resin on Plexiglas to create polished minimalist forms that act as reflective and self-reflective surfaces on which to meditate.

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BRINK v1 is the first in a series of exhibitions dedicated to emerging art in the Northeast and organized around a theme or subject determined by the invited exhibition curator. In BRINK v1, curator Lexi Lee Sullivan brings together four artists and one artists’ collaborative to explore ideas of itinerancy in contemporary photographic practices. Featured artists are Cole Caswell, Nelson Chan, Georgie Friedman, Houseboat Press and Scott Patrick Wiener.

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The Artist Studios Building (ASB) at the Boston Center for the Arts houses over forty artists working in a broad range of media and subject matter. Commonly shared is the value of workspace and a creative community within which to stimulate and exchange ideas. The Infinite Space of the Possible, curated by Lynne Cooney, features seven artists with studios in the ASB. In this exhibition, through collaborative dialogue, the participating artists push the boundaries of their artmaking – either by materializing a previously unrealized project, forging current work into new territory or considering their work in an expanded context.

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About, With & For PDF Print E-mail

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The artists in this exhibition – many of whom work collaboratively – articulate various aspects of Folklife as a cultural precedent. Folklife encompasses all facets of self-organized creativity, including boatbuilding, collective mending, parading, storytelling, foodways and interactions with the built and natural environment. The millenium-old rituals of street spectacle are re-imagined, an abandoned library-turned-art incubator fosters a multi-part installation, historic watercraft built from salvaged materials are rendered seaworthy, and folks who fix things do just that in About, With & For. Exceeding the specific concepts of the art world discourse, this exhibition revels in the expanded possibilities of cultural influence in contemporary life.

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23rd Drawing Show: Drawing Connections PDF Print E-mail

23rd drawing showCurated by James Hull

July 12 – September 22, 2013

Drawing Connections investigates the relationships between traditional and contemporary approaches to the act of drawing as both a singular and interdisciplinary medium, from the simple yet elegant shorthand of painters and sculptors to the elaborate brainstorming of collaborative event-based artists.

In embracing the traditional “work on paper” side of drawing, Drawing Connections explores the edgy, contemporary application of this approach and seeks the conceptual content and experimentation that this primary, flexible medium provides for today’s working artists.

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Mills Gallery hours

Wednesday
12–5 pm

Thursday–Saturday
12 noon–9 pm

Sunday
12 noon–5 pm

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