Past Exhibitions
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“I Dread to Think…”, curated by Liz Blum | January 13–March 19, 2017

In the new Mills Gallery exhibition I Dread To Think…, curator Liz Blum integrates varied reflections on the ambiguous, multifarious emotions and feelings surrounding the state of fear, highlighting aspects of inner paranoia and anxiety as well as pointing to external influences—from political inducements, erosions of privacy and the persuasive media loop that seems to nurture our feeling of being unsafe.

Liz Blum is an independent curator and artist working in Massachusetts. The 13 artists selected for this show are Amy Archambault, Ingrid Burrington, Molly Dilworth, Sandra Erbacher, Will Gill, Susanna Hertrich, Damien Hoar de Galvan, Steve Locke, Nicole Maloof, Lauren McCarthy, Lucas Pope, Alex Preston and Tabitha Soren.

Read the curator's letter here.

Free Public Programs

block-openOpening Reception
Friday, January 13 | 6–8 pm

 

 

block-wkshpCreative Empathy: A Q&A
with artist Susanna Hertrich, designer Mitch Sinclair and curator Liz Blum, presented with support from Goethe-Institut Boston, in connection with current Mills Gallery exhibition I Dread to Think….
Saturday, January 14 | 3–4:30 pm

 
 

block-talkThe Fear Project: Workshop with Open Theatre Project
in connection with current Mills Gallery exhibition I Dread to Think….
Thursday, February 9 | 6:30–8 pm

 

 

I Dread to Think… examines the influence of anxiety, Boston Globe, February 9, 2017

Read the full press release here.

 
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Fertile Solitude

Fertile Solitude

Mills Gallery at Boston Center for the Arts

October 14–December 18, 2016
Opening Reception Friday, October 14, 6–8pm
Curated by Elizabeth Devlin

ARTISTS Piper Brett, Caleb Cole, Emily Eveleth, Dana Filibert, Cig Harvey, Kyle Hittmeier, Annette Lemieux, Megan and Murray McMillan, Noritaka Minami, Hao Ni, Steven Pestana, Shelley Reed, Erin M. Riley and Sarah Wentworth

Boston, MA—In the rush of everyday life, we occasionally need to hit pause (and reset), but even a moment’s peace can be hard to come by. This frenzy is often furthered by our mutually enabling relationship with technology and a self-inflicted state of constant connectivity. Unwilling to put down our phones to see a sunset, sharing our daily comings and goings with the ghosts in the machine, we self-sabotage our peaceful pursuits and further separate ourselves from ourselves.

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Placemaking Objects PDF Print E-mail

Placemaking Objects

Placemaking Objects:
Artist Studios Building Summer 2016

Mills Gallery at Boston Center for the Arts

July 28–September 25, 2016
Opening Reception Thursday, July 28, 6–8pm
Curated by Jennifer Hall

Boston Center for the Arts (BCA) presents Placemaking Objects: Artist Studios Building Summer 2016. It presents 16 small-scale works, by 16 artists with studios on the BCA campus; artists who work in proximity to each other, yet whose art evidences a divergent range of experiences and outlooks. As exhibition curator Jennifer Hall writes:

The objects in this exhibit hold on to the places from which they came—rubbage from a city street, a mishap from the artist’s studio, a pile of dirt reformed. Some are a site of visual abstraction. Others, the space of a narrative. Certain objects describe a psychological location. Perhaps an emotional situation—trauma, pleasure, or a laughable moment. Each object creates its own enclosure. Each is an isolated shelter of significance.

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Queer Threads | Crafting Identity and Community | April 29 through July 10, 2016
Image: Nathan Vincent, Locker Room (detail), 2011, Bellevue Arts Museum (photo: Stephen Miller)

Mills Gallery at Boston Center for the Arts
Opening Reception Friday, April 29, 6–8pm
Curated by John Chaich

Boston Center for the Arts (BCA) presents Queer Threads: Crafting Identity and Community, featuring 26 artists from four continents who remix fiber and textile craft traditions and materials to explore contemporary lesbian, gay, bisexual, transgender and queer identities and ideas. Loaded with gender connotations, feminist herstories and tactile experiences, the featured works utilize handicraft—including crochet, embroidery, knitting, macramé, quilting and sewing—as a platform for examining tastes, roles and relationships socialized within and around gay and lesbian culture, as well as the bodies, cultures and spaces that shape us.

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BRINK v2: Space and Intimacy PDF Print E-mail

BRINK v2: Space and Intimacy
Image: Coe Lapossy, detail from Meg/Sydney/Alec (2015)

Mills Gallery at Boston Center for the Arts

Curated by John Pyper

Boston Center for the Arts (BCA) presents BRINK v2: Space and Intimacy, the second exhibition in the BRINK series, dedicated to introducing trends found in the work of innovative emerging artists based in the Northeast.

BRINK v2 is focused on sculptors… or then again, not. It presents a convocation of six artists who are developing their practices in a media-rich and medium-agnostic art world. In the current art climate, the concepts “sculptor” and “emerging” have come to indicate market positions rather than states of being. Though the works being shown are sculptures, these artists are indifferent to traditional sculptural materials and designations. BRINK v2 casts its curatorial eye on how else contemporary physicality in art is coming into being, and what kind of being that might be.

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