 Nathan Vincent Locker Room
Photo by Melissa Blackall Photography
“This editorial captured by photographer Kirk Lorenzo inside Nathan Vincent’s Locker Room installation at the Boston Center for the Arts Mills Gallery is emblematic of the way Queer Threads explores the dialogue between fashion, queerness, and fiber art. It seeks to investigate the relationship between bodies and space and art and craft, in particular through subverting the notion of fiber art as traditional ‘women’s work.’” Read more…
|
|
“We were really interested in making interactive art, art that the audience can be involved with and respond to,” Brayton said. “Throughout the show, the audience gets to move around to different areas of the space, almost like a living museum. There are different sections in the space that the audience will walk to and see throughout the show.” Read more…
|
 Nicole Maloof’s I See White People
“Curator Liz Blum conceived of I Dread to Think?… two years ago—before the primaries, before the election. Now our new president is tweeting that ‘many very bad and dangerous people may be pouring into our country.’” Read more…
|
 Annette Lemieux’s Bad Habits
Photo by Melissa Blackall Photography
“Looking at art is a private pursuit, even in company; it strums different chords in each viewer. “Fertile Solitude,” an arresting show about the experience of being alone, is cunningly apropos.” Read more…
|
|
“Fertile Solitude” at the Boston Center for the Arts creates an immersive experience complete with art that appeals to every sense. The visitor’s experience can encompass everything from smelling rain and cigarette ashes to touching withered 1950s magazines. These varied interpretations of solitude seek to redefine what it means to be alone.” Read more…
|
|
|
|
|
<< Start < Prev 1 2 3 4 5 6 7 Next > End >>
|
|
Page 2 of 7 |
Instagram
